ESSEX STREET
  • Archival Exhibition Documentation

    Photographs by Jef Geys

    A still life by Chardin

    Lisson Gallery, 7 July - 26 August 2017

  • Archival Exhibition Documentation
    Photographs by Nicholas Logsdail
    Michael Asher
    Lisson Gallery
    24 August - 16 September 1973
    "My proposal for this space was to cut an architectural reveal, 1/4 inch wide and 1 1/2 inches deep, into the wall at floor level, around the perimeter of this room. The architectural reveal began and ended at the entry/exit passageway, without turning into the passageway, since that functioned as a transition zone between two exhibition spaces."
  • Archival Exhibition Documentation

    Audrey Barker

    Lisson Gallery

    1 - 30 December 1967

  • Laurie Parsons

    Box of Photos, 1991

    Assorted materials

    14 x 43.2 x 68.6 cm

    5 1/2 x 17 x 27 in

  • Laurie Parsons

    Box of Photos, 1991

    Assorted materials

    14 x 43.2 x 68.6 cm

    5 1/2 x 17 x 27 in

  • B. Wurtz

    Stereo, 1986

    Wood, metal

    50.2 x 55.2 x 17.8 cm

    19 3/4 x 21 3/4 x 7 in

  • B. Wurtz

    Stereo, 1986

    Wood, metal

    50.2 x 55.2 x 17.8 cm

    19 3/4 x 21 3/4 x 7 in

  • Moyra Davey

    Hoboken, 1999-2017

    4 c-prints, tape, postage, and ink

    Overall dimensions: 50.8 x 124.5 cm and 50.8 x 35.6 cm

    Overall dimensions: 20 x 49 in and 20 x 14 in

  • Moyra Davey

    Hoboken, 1999-2017

    (detail)

  • Moyra Davey

    Hoboken, 1999-2017

    (detail)

  • Henrik Olesen

    Untitled, 2017

    Wood, acrylic, screws

    199 x 5.5 x 4 cm

    78 3/8 x 2 1/8 x 1 5/8 in

  • Henrik Olesen

    Untitled, 2017

    Wood, acrylic, screws

    199 x 5.5 x 4 cm

    78 3/8 x 2 1/8 x 1 5/8 in

  • Audrey Barker
    A Box for Nicholas Roberts, 1967
    Mixed media
    53.3 x 45.7 cm
    21 x 18 in
  • Audrey Barker
    A Box for Nicholas Roberts, 1967
    Mixed media
    53.3 x 45.7 cm
    21 x 18 in
  • Dan Graham
    Model for Triangular Pavilion with Shoji Screen, 1990
    Aluminium, glass and maple wood
    87 x 87.5 x 76 cm
    34 2/8 x 34 4/8 x 29 7/8 in
  • Trisha Donnelly
    Astoria 36, 2014
    Projection of digital images
    Dimensions variable
  • B. Wurtz
    Untitled (Brackets and shelf #1), 1986
    Wood, metal brackets, wire
    45.7 x 24.8 x 27.9 cm
    18 x 9 3/4 x 11 in
  • B. Wurtz
    Untitled (Brackets and shelf #1), 1986
    Wood, metal brackets, wire
    45.7 x 24.8 x 27.9 cm
    18 x 9 3/4 x 11 in
  • Pati Hill
    Untitled (paving stone, Versailles), c. 1981
    Black and white photocopier print
    29.9 x 21 cm
    11 3/4 x 8 1/4 inches

    Pati Hill
    Untitled (sleeve, from the series Photocopied Garments), c.1976
    Black and white photocopier print
    35.6 x 21.6 cm
    14 x 8 1/2 in

    Pati Hill
    Untitled (fragment of Grand Trianon, Versailles), c. 1981
    Black and white photocopier print
    21.6 x 35.6 cm
    8 1/2 x 14 in
  • Pati Hill
    Untitled (paper bag), c. 1977-1979
    Black and white photocopier print
    27.9 x 21.6 cm
    11 x 8 1/2 inches
  • Pati Hill
    Untitled (sleeve, from the series Photocopied Garments), c.1976
    Black and white photocopier print
    35.6 x 21.6 cm
    14 x 8 1/2 in
  • Pati Hill
    Untitled (fragment of Grand Trianon, Versailles), c. 1981
    Black and white photocopier print
    21.6 x 35.6 cm
    8 1/2 x 14 in
  • Cameron Rowland
    Loot, 2013
    Cut and dented copper tube, cardboard box
    35.6 x 50.8 x 30.5 cm
    14 x 20 x 12 in

    At some point basic utilities like electricity and water were services controlled by the state, because they relied so heavily of public infrastructure. More and more these flows are valved by private corporations. Abandoned buildings and sometimes those still used, are broken into and stripped of their copper piping. This is then sold to scrap yards where it is cut down and smaller rods are inserted into thicker ones to make the densest bulk. Rowland bought Loot as is. All of these transactions are extra-legal activities. Copper has a function, its base material has an inherent use value, just as gold and diamonds also carry utilitarian properties.
  • Cameron Rowland
    Loot, 2013
    Cut and dented copper tube, cardboard box
    35.6 x 50.8 x 30.5 cm
    14 x 20 x 12 in

    At some point basic utilities like electricity and water were services controlled by the state, because they relied so heavily of public infrastructure. More and more these flows are valved by private corporations. Abandoned buildings and sometimes those still used, are broken into and stripped of their copper piping. This is then sold to scrap yards where it is cut down and smaller rods are inserted into thicker ones to make the densest bulk. Rowland bought Loot as is. All of these transactions are extra-legal activities. Copper has a function, its base material has an inherent use value, just as gold and diamonds also carry utilitarian properties.
  • Maud Sulter
    The Alabama Branch of My Family Tree, 1988
    Folded card and burnt paper
    23 x 2.1 cm
    9 x 7/8 in
  • Hanne Darboven
    Ohne Titel, c. 1985
    Xerox and pen on paper
    22 x 28 cm
    8 5/8 x 11 in
  • Pati Hill
    Untitled (paper bag), c. 1977-1979
    Black and white photocopier print
    27.9 x 21.6 cm
    11 x 8 1/2 inches

    Pati Hill
    Untitled (paper bag printed with fruit image), c. 1977-1979
    Black and white photocopier print
    27.9 x 21.6 cm
    11 x 8 1/2 inches
  • Pati Hill
    Untitled (paper bag), c. 1977-1979
    Black and white photocopier print
    27.9 x 21.6 cm
    11 x 8 1/2 inches
  • Pati Hill
    Untitled (paper bag printed with fruit image), c. 1977-1979
    Black and white photocopier print
    27.9 x 21.6 cm
    11 x 8 1/2 inches
  • Henrik Olesen
    Untitled, 2017
    Wood, acrylic, screws
    56 x 167 x 3.5 cm
    22 x 65 3/4 x 1 3/8 in
  • Jef Geys
    Snake Camouflage, 1986
    Cardboard box, faux snake skin wrapping paper
    60 x 40 x 28 cm
    23 5/8 x 15 3/4 x 11 in
  • Jef Geys
    Snake Camouflage, 1986
    Cardboard box, faux snake skin wrapping paper
    60 x 40 x 28 cm
    23 5/8 x 15 3/4 x 11 in
  • Audrey Barker
    Untitled, 1964
    Newspaper, ribbon, paint on wood and galvanised steel
    31.3 x 27 cm
    12 3/8 x 10 5/8 in
  • Pati Hill
    Untitled (white gloves, from the series Photocopied
    Garments), c. 1976
    Black and white photocopier print
    21 x 34.9 cm
    8 1/4 x 13 3/4 in
  • Hanne Darboven
    Ohne Titel, c. 1985
    Pen on paper
    13 x 8 cm
    5 1/8 x 3 1/8 in
  • B. Wurtz
    Untitled (Shelf), 1986
    Wood, metal, screws
    22.9 x 22.2 x 10.2 cm
    9 x 8 3/4 x 4 in
Maxwell Graham Gallery Valerie Snobeck Jason Loebs Caleb Considine Peter Fend